XDC has the responsibility for the whole workflow from the digital encoding to play out. It is the outstanding successful track-record over the last 5 years in digital cinema, both from the management and the technical staff, with the roll out of over 230 screens and the preparation of over 150 films in Europe, which allows XDC to meet this technological challenge.
The projectors installed in all the theatres are compliant with the requirements of the DCI and are today all in 2K resolution. The XDC servers are perfectly well suited to the specifications presently used for digital film distribution.

Over 7 films have been processed by XDC Lab. The producer and/or the distributor give the image via the digital master. Sound and subtitles are also provided … along with in some cases, trailers. Then, the motion picture is digitally encoded with or without subtitles and dubbed audio versions. Stringent quality control is performed all along the digital copy production workflow process, with a series of validations of the final result being carried out by several engineers. The digital copy is stored on a transportable hard disk and encrypted for optimal copyright theft protection. XDC’s strength is to be able to provide this high quality work at very short notice and is accustomed to producing digital copies in just a few days before the projection during the Festival.

The full-length feature films being prepared and managed by XDC are: Street Thief by Malik Bader, Destricted by Marina Abramovic, Wild Tigers by Cam Archer, Gretchen by Steve Collins, Windows by Shoja Azari, The Bimo Records by Rui Yang and The Heart of the Earth by Antonio Cuadri.